Action, Crime. Action, Crime. Kaili Blues director Bi Gan concludes his sophomore feature with a 56-minute single-take sequence shot in 3D, his camera trailing alongside (and above, and behind) his protagonist, Luo Hongwu (Huang Jue), as he navigates a rural dreamscape that he’s travelled to while sitting in a movie theater. No clear-cut answers await those who make it to the end of this alluring voyage, only a mood of enigmatic ennui, bursts of sexualized violence and hunger (the latter coming via Binoche’s mind-bending visit to a room known as the “f--k box”), a superbly cagey Pattinson turn, and a finale of cautious optimism. Far more subdued than its summer-blockbuster brethren, it’s a showcase for Hart’s vibrant visuals and Mbatha-Raw’s heartfelt performance as a woman finding strength not from independence but, instead, from bonds of blood. Jessie T. Usher, Hell Fest … Tell us what you think about this feature. Writer/director Harmony Korine’s shaggy-dog saga follows the bedraggled Moondog from one absurd adventure to the next (with, among others, Snoop Dogg, Isla Fisher, Zac Efron, Martin Lawrence and Jonah Hill), channeling both his gift for taking life as it comes, and his ability to derive sensualist pleasure from each new encounter. Gigs soon follow for his sister Ki-jung (So-dam Park) as an art teacher, his dad Ki-taek (Kang-ho Song) as a driver, and his mom Chung-sook (Hye-jin Jang) as a housekeeper. Brought to life by Pitt with a wellspring of bubbling-beneath-the-surface pain, yearning and hope, Roy is a man whose steady pulse rate is emblematic of his sorrowful, walled-off remoteness. Kumail Nanjiani, Preying upon the naiveté of corporate bigwig Mr. Park’s (Sun-kyun Lee) wife Yeon-kyo (Yeo-jeong Jo), teenage Ki-woo (Woo-sik Choi) cons his way into a job in their ritzy household as an English tutor for their daughter. 85 min Jim Jarmusch crafts an undeadpan comedy of apocalyptic proportions with The Dead Don’t Die, a Night of the Living Dead riff played for bleak satire. Action, Adventure, Thriller. Director: God and the Devil are at war in rural Louisiana in Burning Cane, and the former doesn’t appear to be faring too well. Type Shows/Specials, 250 News Media/Behind-the-Scenes Films and Shows, Top 100 The Daily Show/Weekend Update/Space Ghost Type Satire Series. 2010 | The past, memories, and the cinema are inextricably intertwined in Long Day’s Journey Into Night, whose story – about Luo’s return to his Kaili hometown, where he remembers an old comrade and looks for former love Wan Qiwen (Tang Wei) – comingles today and yesterday in poignant fashion. | Director: I Lost My Body has a horror movie conceit, but the true terror of Jérémy Clapin’s ingenious animated film is of an existential nature. His quest is fraught with literal danger and, also, emotional, psychological and spiritual peril, as Roy searches the heavens for the indifferent father that abandoned him. Director: Action, Adventure, Horror. | Stars: Andrea Di Stefano | Mangold’s story is about the might of American ingenuity and daring (versus sleek Italian arrogance), and a celebration of non-conformity in the face of (unbeatable) corporate pressure. Chuck Zito A hallucinatory nightmare of loneliness, alienation and Oedipal desire, Rick Alverson’s The Mountain boasts shades of Stanley Kubrick and Yorgos Lanthimos even as it carves out its own peculiar, penetrating identity. 2007 | Director: | Pedring Lopez Stars: In this saga about the self-destructiveness of war, the kids aren’t alright. Jesse V. Johnson Directors Josh and Benny Safdie’s material operates at a relentless fever pitch, their camera gliding and rotating with the jittery excitement and terror of Ratner, and zooming into characters’ eyes—and observing them at a crane-assisted remove on city streets—with gritty ‘70s-era stylishness. | 2006 | | Samuel L. Jackson, Director: | The separation of Brooklyn theater director Charlie (Adam Driver) and actress Nicole (Scarlett Johansson) begins with amicable intentions but soon devolves into a costly and traumatizing legal war that’s carried out by cutthroat, self-interested lawyers (Laura Dern, Ray Liotta), and strands the couple’s young son Henry (Azhy Robertson) in the middle of a figurative (and, at one point, literal) tug of war.
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